Towards an Acoustemology of Time Acquiring and aligning an aural knowledge of flows of time

In this addition to the “Practices of Musicking” series, author Edda Starck explores the creation and acquisition of aural knowledge through listening-oriented practices. How do we come to both hear and think of the passing of time, and how can listening situate us to the rhythms that punctuate and proliferate our daily lives in a way in which we can hear how we and the objects that comprise our aural soundscapes pass through time?

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Meyhanescapes Visualising embodied musical experience in the meyhane tavern

For the first piece in series ‘Practices of Musicking’, Suzi Asa attempts to understand her musical experience in Turkish taverns (‘meyhanes’) through illustrations that she terms ‘meyhanescapes’. Exploring the extra-sonic, embodied aspects of this ‘musicking’ experience, her visualisations allow us to rethink the nature of music and musical perception as based in practice – and not merely as aural ‘practices of listening’.

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Low-Resolutions Alternative self-improvements for 2019

To welcome in the new year, Justine Gensse and Anouk Hoogendoorn offer an alternative to the self-improvement narratives of New Year’s resolutions. Collected from students of ‘Gender, Bodies and the Posthuman’ at the University of Amsterdam, these ‘Low-resolutions’ form part of the exhibition W_show, which features work in progress from the University’s Master of Artistic Research.

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Call for Papers: 1.2 ‘Off the Grid’ Contribute to the second issue of our research journal

NOTE – the deadline for ‘Off the Grid’-themed abstracts has now passed, but we are still accepting submissions of full papers (4,000-6,000 words) on any other topic. Please email [email protected] Grids govern our landscapes and cityscapes, our paintings and grocery lists, our maps and our borders, both walled and imaginary. They get us our energy…

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Amsterdam, the Magic Center The (Lost) Art of Counterculture in the Stedelijk Museum

Calvin Duggan reflects on the irony of celebrating the ‘take-it-to-the-streets’ protests of the 60s and 70s in the neat packaging of Amsterdam’s Stedelijk Museum. He asks what we can learn from the re-materialisation of these artworks and the struggles they were a part of in such a space, and how they might help us to reflect on the ongoing struggles of the present day.

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