Anxious Altars Material renderings of mental space
How do our material work spaces embody or inspire our mental space? How are these spaces entangled with the emotional labour of writing? While writing my thesis project, which focuses on rethinking affective engagements with anxiety, I have been inspired by feminist accounts of emotion. Theorists such as Kathleen Woodward and Ann Cvetkovich write against…
Towards an Acoustemology of Time Acquiring and aligning an aural knowledge of flows of time
In this addition to the “Practices of Musicking” series, author Edda Starck explores the creation and acquisition of aural knowledge through listening-oriented practices. How do we come to both hear and think of the passing of time, and how can listening situate us to the rhythms that punctuate and proliferate our daily lives in a way in which we can hear how we and the objects that comprise our aural soundscapes pass through time?
Get involved with Soapbox! Informal get together May 7
Interested in joining or contributing to Soapbox? We invite you to an informal get together at Vox-Pop from 4.30pm on Tuesday 7th May, where you can get to know more about us and learn how to get involved! Soapbox is a journal for cultural analysis run by and providing a platform for students, PhDs and…
Singing in Silence The affordances of the (im)perceptible
As part of our series ‘Practices of Musicking’, Zeno Siemens attunes to the non-sonic forms of ‘singing’ exhibited by deaf performers in Christine Sun Kim’s ‘Face Opera II’. These embodied, visual and spatial acts of signing and facial expressions offer a musical experience accessible only through a non-aural, embodied practice of listening.
Meyhanescapes Visualising embodied musical experience in the meyhane tavern
For the first piece in series ‘Practices of Musicking’, Suzi Asa attempts to understand her musical experience in Turkish taverns (‘meyhanes’) through illustrations that she terms ‘meyhanescapes’. Exploring the extra-sonic, embodied aspects of this ‘musicking’ experience, her visualisations allow us to rethink the nature of music and musical perception as based in practice – and not merely as aural ‘practices of listening’.
Listening to Race An interdisciplinary workshop on coloniality, race and sound
Ahead of the publication of our first issue, themed ‘Practices of Listening’, Zeno Siemens reports from this workshop exploring coloniality and race in sound, archives, listening technologies and practices.
Low-Resolutions Alternative self-improvements for 2019
To welcome in the new year, Justine Gensse and Anouk Hoogendoorn offer an alternative to the self-improvement narratives of New Year’s resolutions. Collected from students of ‘Gender, Bodies and the Posthuman’ at the University of Amsterdam, these ‘Low-resolutions’ form part of the exhibition W_show, which features work in progress from the University’s Master of Artistic Research.
Bringing Down the Master’s House Jack Halberstam on vertiginous capital and Kavanaugh
Kelly Klaver reports from Jack Halberstam’s keynote speech to the Global Critical Pedagogies Conference. Rejecting the “master’s tools”, Halberstam applied queer strategies of resistance to contemporary concerns, from Kavanaugh to gay marriage.
Call for Papers: 1.2 ‘Off the Grid’ Contribute to the second issue of our research journal
NOTE – the deadline for ‘Off the Grid’-themed abstracts has now passed, but we are still accepting submissions of full papers (4,000-6,000 words) on any other topic. Please email [email protected] Grids govern our landscapes and cityscapes, our paintings and grocery lists, our maps and our borders, both walled and imaginary. They get us our energy…
Forensic Justice 'Intradisciplinarity' and Art/Architecture for Change
‘Intradisciplinary’ research group Forensic Architecture blur the boundaries between art, architecture, research and human rights in this exhibition, Forensic Justice. Laura van den Bergh reports from its opening at BAK in Utrecht, finding hope in its interventions in ecocide and genocide.