Pause and Play: An Account of Multiplicity Review: Pause and Play, a 1-day exhibition at NEVERNEVERLAND
Soapbox Web’s Cas Bezemer reviews “Pause and Play”, a one-day exhibition held at Amsterdam-based art initiative NEVERNEVERLAND.
Where is Myself? A Reflection on the Spatiality and Disquieting Effects of Daniël Ernst’s Virtual Reality Dioramas
Virtual reality (VR) technology is an increasingly popular way for artists to experiment with storytelling techniques. In this long read, Nicholas Burman discusses the role of space, agency, and the haunting aspects of Daniël Ernst’s three part installation Die Fernweh Oper.
Call for Papers: 2.1 ‘Contamination’ [Extended deadline!] Contribute to the third issue of our research journal
[Extended deadline!] For the third issue of Soapbox, a graduate peer-reviewed journal for cultural analysis, we invite young researchers to submit abstracts that critically engage with the theme of ‘contamination.’ Please submit your abstract (max 300 words) to [email protected] by February 3. The full papers (3000-5000 words) are due March 2. Originating from the Latin…
Soapbox Issue 1.2 Launch: Off the Grid 7 November, 20:00-22:30, Perdu, Amsterdam
Grids are omnipresent and likewise invisible. They govern our landscapes and cityscapes, our paintings and grocery lists, our maps and our borders, both walled and imaginary. In light of their paradoxical potentialities and limits, as that which supports and restrains us, we asked: is going off grid desirable, or even possible? Celebrating the launch of…
Call for Board Members
Call for Board Members *** Please note that we are no longer looking for new board members or participants for the academic year 2019-2020. If spots do open up we will post about it here and on social media. *** Would you like to be part of a student-run journal that functions as a platform…
Towards an Acoustemology of Time Acquiring and aligning an aural knowledge of flows of time
In this addition to the “Practices of Musicking” series, author Edda Starck explores the creation and acquisition of aural knowledge through listening-oriented practices. How do we come to both hear and think of the passing of time, and how can listening situate us to the rhythms that punctuate and proliferate our daily lives in a way in which we can hear how we and the objects that comprise our aural soundscapes pass through time?
Get involved with Soapbox! Informal get together May 7
Interested in joining or contributing to Soapbox? We invite you to an informal get together at Vox-Pop from 4.30pm on Tuesday 7th May, where you can get to know more about us and learn how to get involved! Soapbox is a journal for cultural analysis run by and providing a platform for students, PhDs and…
Singing in Silence The affordances of the (im)perceptible
As part of our series ‘Practices of Musicking’, Zeno Siemens attunes to the non-sonic forms of ‘singing’ exhibited by deaf performers in Christine Sun Kim’s ‘Face Opera II’. These embodied, visual and spatial acts of signing and facial expressions offer a musical experience accessible only through a non-aural, embodied practice of listening.
Issue 1.1 ‘Practices of Listening’ Our very first issue launches February 28
Read more about our upcoming issue and theme ‘Practices of Listening’, as well as February’s launch event.
Meyhanescapes Visualising embodied musical experience in the meyhane tavern
For the first piece in series ‘Practices of Musicking’, Suzi Asa attempts to understand her musical experience in Turkish taverns (‘meyhanes’) through illustrations that she terms ‘meyhanescapes’. Exploring the extra-sonic, embodied aspects of this ‘musicking’ experience, her visualisations allow us to rethink the nature of music and musical perception as based in practice – and not merely as aural ‘practices of listening’.